Daily
£105/day
7 Days+
£60/day
30 Days+
£42/day
Canon’s EOS C200 EF Cinema Camera features a built-in EVF, 4" LCD screen, top handle, Super35 CMOS sensor, and Dual Pixel Autofocus. The EF lens mount on the EOS C200 offers compatibility not only with Canon’s existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super35 sensor is paired with Canon’s Dual DIGIC DV 6 image processor, allowing it to capture and record up to DCI 4K resolution.
The C200 can also record Canon’s Cinema RAW Light internally via its single CFast card slot. The camera also incorporates two SD card slots for recording UHD 4K/HD MP4 video. A built-in EVF enables the camera to maintain a small footprint when you shoot. However, the included removable 4" LCD screen as well as the included top handle and camera grip make this camera versatile for larger shoots. You can output video via the camera’s SDI output, and the built-in XLR connectors provide two channels of audio at line, mic, and mic+48V level. A built-in Ethernet connector provides input/output control.
Modelled on the Super35 motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It features 4096 x 2160 resolution to deliver Cine 4K images, as well as supporting Ultra HD (3840 x 2160), and Full HD (1920 x 1080).
Provides continuous AF (Autofocus) function for all autofocus lenses, using Dual Pixel CMOS AF technology. A new AF Lock setting also lets you change the image framing while holding the desired focus. This feature is ideal for users who regularly shoot with smaller crews, who shoot moving subjects, or who want smoother, more natural-looking autofocus. Dual Pixel CMOS AF technology features a CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. The new feature places a high priority on maintaining sharp focus while providing a natural, smooth autofocus movement with select Canon EF lenses - including newer-generation STM lenses - which offer even smoother and quieter operation.
The C200 features a dynamic range of approximately 13 stops, and an ISO range of 160 to 25,600. You can also select an expanded ISO range of 100 to 102,400. It supports Wide DR Gamma, Canon Log, and Canon Log 3.
The camera features Dual DIGIC DV 6 processors to handle the internal data processing.
The EOS C200 features a built-in 0.46", 1.23MP color EVF and 100% field of view coverage for comfortable viewing and accurate judgment of composition, focus, and color. The angle of the viewfinder is adjustable for additional user comfort.
Included with the C200 is a removable 4" Touchscreen LCD viewfinder. Also included with the C200 is a camera control handgrip as well as a removable top handle.
Built directly into the C200 are two XLR audio inputs with +48V phantom power, and a 3.5mm microphone terminal is also built into the camera. Audio is recorded uncompressed in 16-bit PCM format at 48 kHz for high fidelity sound. Both XLR inputs as well as the mic terminal have the option for automatic as well as manual gain control.
This codec allows you to record raw data internally to a CFast 2.0 card via the camera’s single CFast card slot. The CFast card slot enables capturing DCI 4K in Canon’s Cinema RAW Light format.
UHD 4K and Full HD recording onto SD cards is available via the two SD card slots. Slow-motion recording, pre-recording, frame recording, interval recording
Achieve superb audio capture in demanding conditions for your next professional film, TV, or location recording with the Sennheiser MKH 416-P48U3 moisture-resistant shotgun microphone. Mix-ready sound quality is provided by its sharp directivity, low noise, and strong output. Plus, there are no controls to worry about; the MKH 416-P48U3 delivers the reliability you need for high-pressure gigs.
The microphone exhibits a hypercardioid polar pattern at low to midrange frequencies and transitions to a lobar pattern in high frequencies, allowing it to attenuate 125 Hz to 2 kHz by approximately 10 dB at the 90° off-axis points. Your dialogue, foley, and sound effects can be recorded with full dynamics and clarity, thanks to the MKH 416-P48U3’s wide frequency response, enhanced consonant articulation, and high SPL handling.
The MKH 416-P48U3 was engineered with the experienced professional in mind. Its 40 Hz to 20 kHz frequency response incorporates a gentle rise from 5 to 15 kHz to increase intelligibility, and a natural bass roll-off to mitigate rumble. Its low self-noise of 13 dBA and high sensitivity of -32 dB enable studio-worthy signal purity without requiring noise reduction and gain boosting in postproduction.
The MKH 416-P48U3 boasts a transformerless and fully floating balanced output for optimal signal integrity. Thanks to its 3-pin XLR output and compliance with 44 to 52 VDC phantom power, the MKH 416-P48U3 is compatible with a variety of handheld audio recorders, field recorders, and mixer adapters, as well as built-in preamps on many camcorders and cinema cameras.
The MKH 416-P48U3’s metal body features a matte black finish to prevent distracting visual reflections. Mount the MKH 416-P48U3 directly on a stand or boompole using the supplied MZQ 100 clip. Alternatively, place the MKH 416-P48U3 in the separately available Sennheiser MZS 20-1 combination shockmount, pistol grip, and stand adapter to prevent the transfer of vibrations to the microphone.
The MKH 416-P48U3 has a foam windscreen to reduce unwanted wind noise from breezes, fans, heaters, and air conditioners. For maximum reduction of wind noise in indoor or outdoor environments, consider the Sennheiser MZH 60-1 furry windshield (available separately).
Rental T&C. Most rentals are done via FatLlama. For qualifying corporate clients we might be able to do ad-hoc contracts directly with our company. The procedure for hiring gear from us involves registering on the FatLlama website and providing details (such as proof of ID). When picking up the equipment you'll need to provide your ID (e.g. passport) and proof of address. In case you damage the equipment, you’ll take care of the repairs yourself. Any days lost due to the item being repaired will be charged as standard rental fees. Pickups and returns must be at the same hours and location. Late returns will be charged (One day rental = 24h).
Rental Approval Time. Please allow at least two days for the approval process.
Location and Delivery. Deliveries and returns are normally done in person at our address in Cambridge (see item location on FatLlama). Depending on circumstances we might deliver and collect the items at your doorstep.
